Engrandecer la nada. Sacred-electronic concert about death

Irene Doher and El Primo de Saint-Tropez

  • Show of the Confines theatre series. Ten performative explorations on limits
Creators and performers : Irene Doher and El Primo de Saint-Tropez
Musical creator and performer: Nacho Bilbao
Illustrator: Marcel Domínguez
Stage plastics: Antiel Jiménez
Video: Paula Amor

About the play

Irene’s heart stopped on 5 November 2018. Death came suddenly to her, but she returned. She is 33 years old now.

El Primo de Saint Tropez, due to fear, has been preparing for death since 22 August 2004. He is 50 years old now.

Irene’s heart beats to the rhythm of electronic music That of El Primo de Saint Tropez, at the tempo of a choir from a cloistered monastery.

El Primo and Irene imagine being confined to their own place of epiphany: the monastery and the hospital, and they take as much time to respond as it would take for an ordinary letter to arrive from Madrid to Las Batuecas.

Irene is El Primo's confessor, just as Saint Teresa had a confessor when she described her various mystical experiences. El Primo is Irene's guide on her return from death, as she fantasises that he was reading the Tibetan Book of the Dead to her at that moment her body decided not to continue, but to return to the place of meaning.

Two oposing paths
Irene from nothing to matter.
El Primo from matter to nothing.



About the artists

El primo de Saint Tropez
Under this name, Jesús Barranco is currently researching the dialogue with men and women living in the cloister. With this same heteronym, he continues to create in the Na-Morada collective.

Trained with the master Ángel Gutiérrez, Jesús Barranco completed his search for a personal poetics with other masters such as Luca Aprea, Sara Molina, Claire Heggen, Marco A. de la Parra, José Luis Gómez and Domingo Ortega. Since 2000 he has been a performer in the cast of the Teatro de La Abadía and has participated in 13 productions under the orders of national and international directors.

He is currently combining the tour of Quitamiedos (Crash barrier), by Kulunka Teatro, with the creation of new pieces in the groups Armadillo, [Los números imaginarios], Las Torneras, Juan Ayala / Annie Pui Ling Lok and Transatlántico (Spain, Chile and Argentina). He is one of the founders of the Blenamiboá company and was part of the research project on performing arts Cities-Théâtre du Mouvement 1998-99 (Spain, France).

Irene Doher
Irene Domínguez is an actress and singer. She has a degree in Acting from RESAD (2014) and a degree in Journalism and Audiovisual Communication from the Universidad Carlos III de Madrid (2010). Since she finished her training, she has worked as an actress in the companies [Los números imaginarios], Livianas Provincianas, Viviseccionados and La Finea Teatro.

With [Los números imaginarios] she has staged Lear: disappear (2019), Sons of Greece (2018), The last night of Don Juan (2017) and Hamlet among everyone (2016). With Livianas Provincianas, her most personal project, she has performed the piece He is my man (2016) and she is currently working in the creation of The tastiest fruit. Together with Viviseccionados, she has staged the show 4,2 (2017). And with La Finea Teatro, she has participated in Death of appetite (2016).

She has also participated in the performances Just before the flapping (Cuarta Pared, 2019), Shoot, Get Treasure, Repeat (Frinje 2015) and Oh, love! (Teatro de la Zarzuela 2013). In 2018 she took part in the Movistar+ series Arde Madrid (2018), as Natalia Figueroa.

Practical information



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